Wide ginkgo band with multi-color blue sapphires. Lovely lovely lovely.
Archive for the ‘New work’ Category
quinn’s ring
Thursday, July 22nd, 2010poppycock
Wednesday, July 21st, 2010[This is what my hand looks like this morning; I feel very decadent when I do this.]
I have a couple of new pieces to show off today: the Poppy Eternity Ring and the Peacock Ring! I’m quite excited about the two pieces and have been wearing them (one, the other, and now this morning: both!) nonstop this past weekend.
First, we have the Poppy. I carved this actually a long time ago as a wedding set for some friends. I only now decided to re-work it to offer in the shop. I decided it might be cool with a few diamonds and so I re-did the poppy buds to hold little 2.5mm diamonds.
I’m really happy with how it turned out. It’s now listed in my Etsy shop.
The other ring I just finished is the Peacock Ring. I LOVE it.
This probably looks familiar.. I carved a similar more petite version for Caty’s wedding ring. Carving her ring inspired me to dig out my old peacock ring wax (started years ago but never got very far) and give it another go. The design was a little different though in that I had the peacock’s body on one side, the feather (pretty much like it is now) on the other. It is a lot wider than Caty’s ring but narrow at the base for comfort; I also left the bottom of the ring bare and uncarved. I picked and scratched at it a little and finally decided to cut out the bird altogether, which was just looking a little too scrappy and messing with my clean lines. I recarved it wider on top and made it domed slightly (it’s hollowed out lightly underneath). I’m pretty pleased with the result.
I agonized over whether to put the blue diamond in or a more traditional white one and in the end, I decided that the blue diamond is just so peacocky and cool and used it. It’s 2.5mm—fairly understated but still packs a lot of sparkle.
I don’t want to take it off.
necklaces
Saturday, June 12th, 2010Mostly I do rings. But, I have a soft spot for necklaces. And pearls. Pearls and necks make a great combination.
This is a strand of Chinese freshwater stick pearls knotted on silk; it has a hand-made box-style clasp with a Peruvian opal set into it. Stick pearls are just about the awesomest thing ever. They are so intensely iridescent because they are made entirely of nacre (The Shiny). They are created by inserting a bit of mantle tissue into a freshwater mussel. The mussel begins to coat the irritating invader with nacre in an attempt to neutralize it. The mantle tissue breaks down entirely but the mollusk continues to layer and layer bright shiny nacre over what is now a long skinny pearl. They make the coolest sound when they clink together, a bright watery sound.
I love Chinese freshwater pearls. Not only are the mussels prolific (and thereby delightfully affordable–you can nucleate a single freshwater mussel with upwards of 30 bits of mantle tissue, thereby creating 30 pearls), but they have a wide range of amazing colors and shapes. Ivory white to pinks are particularly beautiful. The strand above is a range of pinks, from bright orangy coral to dusty rose, and all natural color.
More Chinese freshwater pearls, this time “potato” pearls, so-called because of their oval shape.
This is a double strand (meant to loop twice about the neck at choker length, or be worn long) with Chinese freshwater keshi, faceted black spinel (a naturally occurring color), and tiny faceted pieces of coral. I find the black, red, and white colors striking and intense.
Keshi is interesting in that it is a pearl formed without nucleation. It is about as close to a so-called “natural” pearl that there is nowadays. However, there is a big difference in that instead of Joe Diver happening upon an oyster in the wild, popping it open and LO! a beautiful pearl, they are created in cultivated oysters. Usually, once a freshwater mussel has had all its cultured pearls removed (created by the insertion of mantle tissue), it is popped back in the water. Because the spots in its mantle are still very irritated after having the pearls removed, it continues to produce nacre and in most instances, this nacre sticks together to begin yet another pearl–this time solid nacre. They are beautiful.
It probably goes without saying: Pearls are probably not for vegans or anyone politically vegetarian.
This is the same style necklace as above but using faceted multi-colored tourmaline and aquamarines with the freshwater keshi. The icy blues and greens really set off the iridescent colors of the pearls.
These are also Chinese freshwater pearls, but they are not a natural color. Originally, they were probably an undesirable brownish or grayish color, so they irradiated them. Now they are intensely black/bronze with serious iridescence. I think they are awesome. I strung them on sterling silver that has been patinaed a deep steely gray and sprinkled a couple of champagne-colored Austrian crystals here and there.
Okay, we’re done with pearls for now. Here are a couple of super long strands made from sterling silver and gorgeous Chinese turquoises. This strand can be worn long, wrapped around the neck once or twice or three times, in a long Y-style, etc.
Another super long strand, this time using square turquoise pieces. This can also be looped once or more times about the neck.
I’m working on getting the rest of my photos in order for all of the above pieces. I plan to list these (and a couple of others) in my Etsy shop in the next week or two.
caty and justin’s rings
Sunday, June 6th, 2010I got a recent commission for a matching pair of wedding bands with perhaps a fish theme (the owners had a sweet story about a minnow). I did a couple of sketches of minnows wrapped around a band. Then it came up that the peacock feather was the design theme of their wedding. Maybe we could work that into the ring…
A fish and a feather. Ooh!
[I may not know how to spell "lacy" but I do know my feather anatomy!]
I really had a fun time carving these rings. A while back I sketched a design for a big ol’ peacock ring (peacocktail ring?) but never got around to actually carving it. Maybe I’ll dig it back out now because I love how the feather motif worked on the ring.
I start out evenly: cut waxes, cut out basic shape with file, scratch in design with something scratchy… Then I go to town. I try to keep continuity by carving on both rings, not getting ahead too far on one or the other, but inevitably at some point I lose myself and focus on one ring until I’m essentially finished.
As usual, I carved the first ring (hers) and looked at my rough scratches on the second ring (his) and said to myself: “Oh bother; how can I make this one as good as the first?” This happens every time. And every time the same thing happens.
I carve the second ring… and I like it even better than the first.
Then I feel bad for the first ring.
But after a short time my feelings equalize and I really find in the end that I don’t know which one turned out “best.”
Because they both turned out perfectly.
pheigi’s ring (wax carving process)
Sunday, May 23rd, 201018K gold custom rose and ginkgo ring. This is a recent custom order I finished for a woman in Japan.
First I sketched a potential design. Once this was okayed, I could start in with the wax carving.
To start with, I hacked off a slice of carving wax the width of the proposed ring. I bored out the inside to the proper ring size, filed the sides parallel, and filed down the top to an even thickness. This step used to take me a ridiculously long time but now I’m pretty good at it and can brute out a general ring shape in no time. I typically carve a thick ring; rings feel better to me when there is some substance to them. I start with 2.5mm thickness generally and whittle down from there. The final ring will usually be around 2.25 thickness.
I measured out my three rose groupings so they would be even and balanced. Then I started to sketch out my design by scratching it onto the wax with a dental tool. I often have to adjust my design once actually laid out onto the wax since it always fits differently than it does on a piece of notebook paper.
Here I’ve bored out the holes between the ginkgo leaves and cut away excess wax. I use a regular twist drill and exacto knife to do this.
Neatening the openwork and starting to shape a little. Once I get the shape right, I start carving contour with a dental tool. I have a number of dental tools but I really only use one, which I’m absurdly dependent upon. I got it from my dentist years ago and sharpened a new, pointier point onto it. I broke one end of it off a few years back and I’ll be severely irritated if I ever break off the remaining end, which has thee perfect angled tip and the perfect amount of springiness and flexibility.
Here I’ve roughed out the shape on the leaves and started to form the roses. I’m going for a lot of movement on this ring, high relief.
The wax carving is almost complete. I go over and over the piece to neaten up edges, clean up my scratch marks, and make sure the continuity is nice between the outside carving to the smooth inside edge of the band. I often use 1200-grit sandpaper in this step, which is pretty much crazy time, but I always thank myself later when I don’t have to sand irritating scratches out of metal.
Once I’m finished with the basic carving, I do the finishing texture and details. Here I’ve done a bit more work on the rose petals and added the ginkgo leaf texture. The wax model is complete.
The glamour shots. Sometimes it’s hard to imagine the ring when it is purple wax… I’ve been experimenting with removing the color, etc. I can’t decide if it really helps though.
I’m still working on getting the lighting just right in the new studio. I took the finished gold photo before I got my diffuser working right. Unfortunately, it’s the only one that really worked and I didn’t get any others of different angles of the ring, showing more of the roses. Oh well.
jeff’s ring
Wednesday, April 28th, 2010Jeff is my father in law. He spends a large portion of his life at sea. When my husband was a kid, Jeff spent nearly 10 years building a large trimaran sailboat (a Jim Brown 40) on the Oregon coast, then sailed it to Texas. He now has a Condor 40, a racing tri which he recently got from a salvage. He also works at sea; half of the year he spends on a massive ocean-going tug hauling loads across the Indian Ocean, the North Pacific, Southeast Asia, between Northern Siberia and Japan, off the west coast of Africa. Lately he has been working between Kuwait and Iraq and Durban, Africa, a tricky section of ocean notorious for piracy.
The turquoise came from his mother; he sent me the piece and asked if I could make something with it. I decided to carve something ‘oceany’ and this is what I came up with. I’ve always loved the Hokusai print.
Anyone who has been at sea long enough encounters waves like this (minus Hokusai’s excellent visibility perhaps..). About five years ago Jeff went through a typhoon off Japan. He was in port at the docks when it was coming but the port officials told them they had to get out because they were afraid the large boats and barges would tear up the port when the typhoon hit. He and two other tugs motored out to sea and for twelve hours, they pointed into the wind and bashed into the hurricane seas at half throttle. They made time backwards at something like 12 knots, their tows thrashing around in the sea one kilometer behind them at the end of a huge tether.
melissa’s ring
Tuesday, April 20th, 2010palladium pearl ring
Monday, April 19th, 2010I found a place that can cast palladium and I’m terribly psyched. Here’s what I made! I’m loving it and have been wearing it every day.
That awesome 10.5mm Tahitian pearl was sent to me by my good friend Antonia who sailed her sailboat with her husband across the Pacific, stopped at a small atoll where thar be pearls me mateys, and traded a bottle of scotch and some cash for a bunch of ‘em. I was hugely jealous—and also hugely pregnant at the time—but her stories of the never-ending sea/morning-sickness she suffered while crossing the big bad ocean helped me to suck it up a little.
I about died when I opened the package and saw this lil’ beauty! It took me long enough to make The Ring for it but here it is.
I just listed it in my Etsy shop (a custom version, that is, with a pearl of your choice—this one is mine)!
Palladium is in the same elemental family as platinum and looks very similar; maybe a tiny bit ‘whiter’ than platinum. It’s much lighter in weight however, more similar to 14K gold perhaps. Happily, it wears more like platinum, with the curious trait of ‘displacing’ metal with wear rather than rubbing off, which is what gold and silver do. (I wonder if the tendency to displace metal as it wears is because the atomic bond between the palladium 950 alloy is so much stronger than the bonds in gold alloys?) It is very hard to finish, harder than 14K or 18K gold, and the casting plaster leaves a very rough texture, therefore requiring a lot of filing, sanding through the grit strengths, polishing with different grit wheels, then working my way through the buffing compounds… whew. I wish I had a buffing machine at times like these. But it takes an amazing polish, mirror finish really. I’m a glutton for punishment I guess because I’m definitely looking forward to making more pieces with the metal.
pearls and excuses
Thursday, March 18th, 2010A few things. One: We went on vacation (!!) to San Francisco & Napa to visit old friends, drink a lot of wine, visit about twelve different parks (the toddler loves parks), and buy some pearls. Two: I got slammed with The Wedding Season. I am thrilled but also a little freaked; this is my first big rush. Yeeee! Three: True Blood. We just watched the final episode of the first season so I think I can get on with my life—well, at least until I get my hands on season two. Not having a TV for the past 20 years, and not having full access to one before that, has left me woefully unprepared for that most frustrating of plot devices: the cliffhanger. My brain pretty much sucks into a tight bead of anxiety and I am forced to start the next episode right now immediately ohMYGOD they just killed Graaaaannnn!
Anyway, ahem. I bought a few new pearls while in San Francisco, because I was just at the gem show and desperately needed more more more. Behold:
Yum. The two on the left are Chinese freshwater pearls and the one on the right is a South Sea pearl (from Australia).
Here are some more. All are Tahitian pearls except from the bright peachy pink (natural color too, by the way) Chinese freshwater pearl. They range in size from 9.5-11mm approximately.
I posted two new pearl rings on the Etsy site: here and here. I also have two new designs coming. One spare and modern and the other featuring (you will NEVER guess): roses. My oh my.
bauble ring
Saturday, February 20th, 2010The first of the Bauble Rings. I constructed this out of sterling and set a tiny 2.3mm sapphire in the top. The ball measures just under 3/4 inch. I snapped a few photos out in the brilliant sun. It has been beautiful here in Portland these past few days; the sky has been deep blue, crocuses are blooming, there are tiny pink flowers sprouting from all the plum trees. It’s deceptively cold though and every time we take off for a leisurely walk, we come back with blue lips.
This is another one. The ball is more perfectly spherical and a little bigger too, a tad over 3/4 inch.































































