I have some new stuff coming soon.. In the meantime, here’s a photo of a ring that I found last night while browsing the internets and which I think is about the raddest thing ever:
God I love it. The quality of the fabric rendered in gold is awesome and I love the light patina the gold has——makes the wrap look like soft and unbleached like raw linen. The artist is Kevin Coates, and the piece is titled Yseult (Isolde of Tristan and Isolde fame). Here’s what he had to say about it,
A few years ago, I received one of those intriguing little boxes in the post which usually celebrate the remote cutting of a wedding-cake. Upon opening it, the box, bereft of nuptial crumbs, cradled instead a lonely baroque pearl, shyly featuring not one, but two, â€˜nipplesâ€™. The charming accompanying note from a fellow jeweller, well-known for her wonderful work with pearls, said that she thought that I may be able to think of something to do with it. It remained fallow, but not forgotten, for some time, until the idea for this ring about Yseult (for Wagnerians: Isolde) occurred.
I bisected the orphan gem in order to liberate the two wanton nipples, and although the refractory qualities of mother-of-pearl differ from the superficial aspects of pearls themselves, I managed to find a good colour and nacre-density match from which to carve the segment of face.
The power of drapery to conceal and reveal, to reserve and to promote, is immense â€“ here I also wanted it to stifle and restrict, to reflect Yseultâ€™s fatal love for Tristan. That was a passion destined never to be celebrated with its wedding cakeâ€¦ SOURCE
I really want to start expanding my carving to include other substances rather than casting wax. Unfortunately, I fear change and much of my hesitance is due to stress over not knowing what tools to use, what to try to carve first… All dumb stuff I can probably solve in three minutes with google.