Author Archives: cheyenne

About cheyenne

Custom jeweler & designer in Portland, OR

lee mcqueen’s last collection

I’ve followed fashion peripherally; mostly I just want to seem some pretty pictures and if I’m lucky, there’s some neat jewelry too (but usually not). Lee Alexander McQueen killed himself this past February and here are some images from his last collection (which was shown after his death).

They are downright breathtaking. Like jewels.

The random but nicely symmetrical scattering of design is something I can fall to pieces over. This is what I love most about people like Renee Lalique (and there is a lot to love about the dude, my link is but one paltry example; do a google image search and be blown away).

All models had these austere head-dresses covering their hair and ears. This one has a feather mohawk (I have a complete picture of the mohawk down below) but most were just the head covering.

Pretty textures. I like the scrunchy rough texture of the gauzy translucent bunched fabric (I’m sure it has a name) and then the smooth silky weight of the outer layer (look at the veiny texture). I have an affinity for crazy contrasted with constricting. (No alliteration intended.)

O. M. G. I Love This. Are they real feathers painted gold? I would love to think they were actually gold feathers. Or even real feathers sprayed with real gold paint… From a jewelry standpoint, they have a look like gold (14K or maybe 18K) patinaed with age. You so rarely see gold patinaed but I love the look and have been experimenting with it myself.

I’m freaking out over the print of skrinkled drapey fabric over perfectly smooth silhouette. Funny that it makes even real folds and shadows incorporated into the art. (You see the wings?) This is where I start to flail over which one is really my favorite…

…because oooh oooh oooh oooh ooh! How cool is this?!?

Holy cats! Or this?!? The dress goes on to be light and foamy and fluffery through the full-length skirt.

Heavy pomegranite silk. With intricate gold embroidery. I love this. Seriously, this would take me a zillion years to make (…if I knew how to sew and embroider and all that).

Here’s that headdress I was talking about. A golden feather mohawk!

And right at the point where I get super excited about this artist—I do the same thing when I discover a great new-to-me author, and go to search out what other books have been written and enthuse over what is to come… And then I remember that the man who created this is now dead; there is no more coming. It’s a sad, depressing thing, and makes you wonder what goes on in the minds of brilliant people. I don’t often get choked up over people I didn’t know personally who have died (there are very, very many, after all). But it happens.

All images and many more (plus greater detail) from here.

jacquelyn’s pearl

Gold South Sea pearl, diamond, 18K gold ring

You have no idea how much I stressed over drilling out this big beautiful golden pearl.

Jacquelyn contacted me with this pearl conundrum: she had a pearl that came from a necklace (so it was drilled all the way through) but wanted it for a ring. So… could I maybe set a stone or do something not weird with the hole in the top? Being me, I’m all “We should put a diamond in that hole.” So I got to work. I made the wax, adjusted it to size, got it cast, finished it out, set the diamond in the tubing, shaped and prepped the tubing to be set in the pearl, prepped the mounting for the pearl… and then I stopped and sweat for like a week.

I was terribly paranoid about chipping the surface of the pearl when I drilled it out for the diamond stud. I drill pearls all the time and I use special pearl drilling bits, but they are only small holes, like 1/2 millimeter in diameter. This was to be a 2.5mm diameter hole and as far as I know, they don’t make special pearl drill bits this size. Regular twist drills don’t work; they trash the nacre and chip it all to hell. I have tried. One could suggest that I had two chances to set the pearl: once on one side and if that didn’t work, then I could set the failed end down and have a fresh chance. Naturally, that idea sucked because I just couldn’t give back a pearl all wanged up even if the wanged-up part was set down into the ring and invisible. Also, the pearl had a couple of little dits on one end; this end needed to be set down in the ring mounting. So basically I had one chance. GAH!

I decided to treat the pearl like it was a normal setting job and used the tools I use to set diamonds. Bud burr, setting burrs, etc. The trick seemed to be that I had to drill the pearl at an extreme angle to keep it from chipping (I know this because I trashed two other practice pearls figuring it all out). Then once the nacre is opened up, you can drill straight down. It took a steady hand and a lot of patience but when I finally got my nerves together to do the real thing, it worked flawlessly.

I was never so happy to put that ring in the box and tie a little ribbon around it and send it off. Would I do it again? ABSOLUTELY! My god just look at how awesome it is:

Gold South Sea pearl, diamond, 18K gold ring

Gold South Sea pearl, diamond, 18K gold ring

Like a jeweled gooseberry. With a big sparkley bead of dew on it. YUM.

yseult

I have some new stuff coming soon.. In the meantime, here’s a photo of a ring that I found last night while browsing the internets and which I think is about the raddest thing ever:

Kevin Coates, Yseult

God I love it. The quality of the fabric rendered in gold is awesome and I love the light patina the gold has——makes the wrap look like soft and unbleached like raw linen. The artist is Kevin Coates, and the piece is titled Yseult (Isolde of Tristan and Isolde fame). Here’s what he had to say about it,

A few years ago, I received one of those intriguing little boxes in the post which usually celebrate the remote cutting of a wedding-cake. Upon opening it, the box, bereft of nuptial crumbs, cradled instead a lonely baroque pearl, shyly featuring not one, but two, ‘nipples’. The charming accompanying note from a fellow jeweller, well-known for her wonderful work with pearls, said that she thought that I may be able to think of something to do with it. It remained fallow, but not forgotten, for some time, until the idea for this ring about Yseult (for Wagnerians: Isolde) occurred.

I bisected the orphan gem in order to liberate the two wanton nipples, and although the refractory qualities of mother-of-pearl differ from the superficial aspects of pearls themselves, I managed to find a good colour and nacre-density match from which to carve the segment of face.

The power of drapery to conceal and reveal, to reserve and to promote, is immense – here I also wanted it to stifle and restrict, to reflect Yseult’s fatal love for Tristan. That was a passion destined never to be celebrated with its wedding cake… SOURCE

I really want to start expanding my carving to include other substances rather than casting wax. Unfortunately, I fear change and much of my hesitance is due to stress over not knowing what tools to use, what to try to carve first… All dumb stuff I can probably solve in three minutes with google.

In the meantime, I’ll just continue idolizing other awesome carvers out there and dream of trying my hand someday. Soon, I think.

poppycock

18K poppy eternity ring and peacock feather ring (with blue diamond)

[This is what my hand looks like this morning; I feel very decadent when I do this.]

I have a couple of new pieces to show off today: the Poppy Eternity Ring and the Peacock Ring! I’m quite excited about the two pieces and have been wearing them (one, the other, and now this morning: both!) nonstop this past weekend.

First, we have the Poppy. I carved this actually a long time ago as a wedding set for some friends. I only now decided to re-work it to offer in the shop. I decided it might be cool with a few diamonds and so I re-did the poppy buds to hold little 2.5mm diamonds.

Carved poppy and diamond eternity ring in 18K gold

Carved poppy and diamond eternity ring in 18K gold

I’m really happy with how it turned out. It’s now listed in my Etsy shop.

The other ring I just finished is the Peacock Ring. I LOVE it.

This probably looks familiar.. I carved a similar more petite version for Caty’s wedding ring. Carving her ring inspired me to dig out my old peacock ring wax (started years ago but never got very far) and give it another go. The design was a little different though in that I had the peacock’s body on one side, the feather (pretty much like it is now) on the other. It is a lot wider than Caty’s ring but narrow at the base for comfort; I also left the bottom of the ring bare and uncarved. I picked and scratched at it a little and finally decided to cut out the bird altogether, which was just looking a little too scrappy and messing with my clean lines. I recarved it wider on top and made it domed slightly (it’s hollowed out lightly underneath). I’m pretty pleased with the result.

mermaids

Japanese Ama, Photo by Fosco Maraini

[Underwater Photograph by Fosco Maraini from his book, Hekura, The Diving Girl’s Island.]

I’ve had pearls on the brain lately and it got me to thinking about the ocean, diving, books and movies with diving scenes… specifically, the traditional Japanese women divers, called ‘ama.’

The scene I recall most vividly from a movie is the one from Tampopo. The gangster is at the seaside in his stylin’ cream suit where he sees a young ama, cold and dripping, climbing up onto the rocks with her basket of oysters. She offers him one, he cuts his lip…

I love the last bit where you see the other amas watching from the waves. (Incidentally, if you have never seen this film, you really should—and not just for the oyster porn.)

In another movie scene that comes to mind, the ama are treacherous. The hero dives into the water and encounters a group of them. They surround him and pull away his mask (ama dive without air). There is a strange gang-mentality/siren/dumb-playful group of seals sort of thing going on; they are not specifically trying to kill him but rather just messing with him. Unfortunately, I can’t remember what movie this was. A Bond movie? I know that Kissy Suzuki was supposed to be an ama but I didn’t think I had seen that one.

Japanese Ama, Photo by Fosco Maraini

[Photo by Fosco Maraini.]

Ama traditionally are free divers, almost exclusively women, who dove for seaweed and shellfish (like sea snails, abalone, lobster, oysters). Occasionally the oysters they dove for contained pearls but this was not their goal. Interestingly, it wasn’t until Mikimoto was trying to promote his pearls did he hire ama to “dive” for pearls as a propaganda stunt. Actual be-loinclothed women were a bit too shocking for his upper-crust clientèle, and yet, the image of naked young women wrapped in semi-sheer white fabric free diving into the cold tumultuous ocean to capture the very pearl you wear upon your breast was a compelling one. Mikimoto was a total fucking genius.

Japanese Ama Pearl Divers

[Japanese Ama as realized by Mikimoto. I have to say though, I’m liking the loincloth with the big-ass knife/pry-stick look better.]

Up until the middle 50s-60s, they dove only in loincloths. Then they wore the head-to-knee white outfits you see popularized by Mikimoto. Nowadays real working ama are interested in wearing whatever makes them most visible to boats, which usually is bright orange. Other than that, ama still dive for shellfish and seaweed as they have for 2000 years, with no air and no wetsuits. Obviously, diving with full scuba gear would allow them to stay down all day but they choose not to go this route. Depleting the shellfish population so rapidly would be harmful not only to the environment, but to their own livelihoods. They have struck a rare balance that has endured throughout the centuries and into modernity.

Harvesting Seaweed, 1956, by Iwase Yoshiyuki

[Harvesting Seaweed, 1956, by Iwase Yoshiyuki. For more amazing photos by this guy, go here.]

ama diving in loincloth

[Seriously, my ass is getting kicked just sitting here looking at this photo. Photo by Fosco Maraini.]

“Water temperatures on the Onjuku coast are bearable only between June and September. Large harvests were impossible to haul up in strong currents, so tides had to be favourable, limiting diving days to about 20 per year. Ama dive in three sessions a day, requiring extensive eating and warming at the fireside between runs. A good daily harvest required 60 to 80 dives of up to two minutes each, so ama had to develop and maintain substantial body fat to guard against hypothermia. With such rigors and risks, ama were paid enormous salaries, often making more in the short season than the village men made the whole year. In the late 1920s there were around 200 ama active in Onjuku and the seven harbours of the region (Kohaduki, Ohaduki, Futamata, Konado, Tajiri, Koura and Nagahama). By the late 1960s, they had disappeared.”

I took the quote from here—an interesting read—but I can’t actually find the original author. Here’s a brief and very good article about ama.

Around the Fire, 1931, by Iwase Yoshiyuki

[“Around the Fire,” 1931, by Iwase Yoshiyuki. Ama warm up between dives by a fire on the beach.]

I find it intriguing that free diving in cold water is something that most men simply cannot do; generally speaking, women’s bodies can handle cold water stress and mild hypothermia better than men’s. It was, and is, intense, dangerous, and backbreaking work, yet these women love to dive. They are real-life mermaids, every bit as mysterious and powerful and otherworldly as the mythical ones.

ghezal’s ring

Two-tone 14K, diamond, Japanese Akoya pearl, art deco inspired ring

This ring came into being when Ghezal sent me a pair of stud earrings she never wore. The pearls were petite Japanese akoyas, and too small for the pearl ring designs I had (I typically use Tahitian and South Sea pearls, which are from a much larger oyster).

I dinked around with some ideas and even carved something that seemed good in my mind, but actualized in purple wax, it was kind of ugly. Then Ghezal said she wanted diamonds too and sent me an old diamond cluster cocktail ring to disassemble. Nothing like a passel of diamonds to sparkle up one’s imagination, and I reworked the design into more of an art deco inspired piece. She also casually mentioned she wanted it two-tone: white gold where the diamonds are and yellow gold for the band part, which at first freaked me out but it turned out to be not as hard as I thought it would be and of course, it’s pretty much awesome.

Two-tone 14K, diamond, Japanese Akoya pearl, art deco inspired ring

Two-tone 14K, diamond, Japanese Akoya pearl, art deco inspired ring

Two-tone 14K, diamond, Japanese Akoya pearl, art deco inspired ring

I love how this ring turned out.

ghezal’s pendant

14K gold, sterling silver, diamond and lapis rose pendant

[14K gold, sterling silver, diamond, and lapis rose-motif pendant.]

My sister in law’s family is from Afghanistan, a part of the world renowned for its intense blue lapis. Her father gave her some pieces that he had carried over from the old country (there’s more to the story than that, but maybe she can tell it sometime) and she had me make a few pieces. This is a pendant using a stunning tablet-shaped piece, about 17x23mm. The diamonds are recycled out of an old froofy pom-pom of a cocktail ring.

14K gold, sterling silver, diamond and lapis rose pendant

This piece was a challenge for me, not so much technically but mentally. I had never worked constructing gold before, nor had I done gold AND silver together. I have always been too nervous to construct using gold because of the waste; gold is just too expensive these days. But I got over myself and actually with this piece, I managed to be creative and had very little waste. Also it turns out that soldering gold is a dream come true, especially if you are accustomed to soldering silver.

Here was my design rendering.

"watercolor and pencil rendering: 14K, silver, diamond, lapis pendant

thank you everyone!

I’ve just finished up my last convo of the evening and I just wanted to plant a wet beery kiss upon everyone who took time out of their lives to not only look at my work, but send me messages telling me how much they liked it! I’m totally overcome, I tell ya. Anyway, thank you all so much. You all seriously made my last couple of days!

(If you don’t know what I’m talking about: dude. My moment of fame.)

etsy featured seller: ME!

This is so freaking exciting! My two days to shine are happening as we speak and I’m on Etsy’s front page with a featured seller photo (dork!), shop links, and interview and everything.

Of course, I spent hours and days obsessing over my interview questions and then suddenly the deadline was upon me and I freaked, quickly made sure I didn’t have any grotesque spelling errors, and just sent it in. Now I’m all, ohmygod: I forgot to say this, I should have said that, and I totally sound like a spazz!

Anyway, I’m very excited and also a bit nervous. Will anyone even read it? Will people actually go look at the things I make because of this? I have no idea what to expect.

ps – I would have put a pretty picture at the top if my computer hard drive didn’t die. And Joshua’s computer’s power supply not give out. Or my studio computer’s monitor go bad. All in this past week. I’m running linux now off a bootable disk. Anyway, you’ll have to be content with some krazee kapital letters and excitable punctuation in the header.