This is an engagement/wedding ring made from palladium with a gorgeous turquoise piece from Nevada. The couple I get my US turquoise from prospect, mine, cut, and polish all their own turquoise. They do not enhance or stabilize the stone in any way. They are awesome and their stones are amazing. This stone is from their Dyer Blue mine in Nevada.

More of their stones I have in stock:

The large piece at 7 o’clock is amazing: it has reddish brown matrix and chunks of jet-black chert in it. The piece at 5 o’clock (has a pretty mossy green tinge) is turquoise that formed inside of a brachiopod clam fossil. (How cool!)

A carved band with rose clusters and ginkgo leaves scattered across the top. Also: five 2.5mm diamonds; hooray! This ring turned out great, I think. It was the wedding band to go with a 3/4ct diamond solitaire. The effect was quite impressive.

Leaves of the ginkgos act as the “prongs” to hold the diamond in place.

More views of the ring. Tapered bands like this are surprisingly comfortable and non-constricting to wear. I am a huge fan.

And lastly, we have our model wearing the band and showing off her finest gray studio hoodie. Fancy!

[Platinum, blue diamond, and palladium.]

One of my good friends from way back in high school (hello Facebook!) got a hold of me with a ring idea for her husband. They had been married for some years but never really got nice wedding bands; she thought she would surprise her husband with one for christmas and began scheming up ways to sneak-measure his finger size without him noticing anything. Amusingly, about a week later, he suggested out of the blue that they buy themselves wedding bands for their christmas present that year. Karen, evidently, needs to take lessons in subtlety.

Karen and Jon are both total sci-fi geeks and she thought a spacey sort of theme might be interesting, so I started sketching ideas. I found design inspiration from vintage science fiction cover art—you know all that awesome stuff of dudes in round globular helmets and retro spacecrafts with toggle switches and orange square buttonry, comets flying by in the sky with maybe a ringed planet, red rocky outcroppings, pointy cities.. um, and stuff. (I do love me some retro cover art.)

[“Space Workers” by Gennady Golobokov, 1973, Russia. I’m digging the pointy helmet.]

[Isn’t this awesome? It’s Jeffrey Jones’ cover for the Amazing Science Fiction magazine, September 1970.]

The rings are laid out in three sections: ringed planet, spiral galaxy, and comet—with lots of flowy wavy designs between. Karen’s ring is in platinum with a little 2.5mm blue diamond in her comet, and Jon’s ring in palladium (the two metals are almost identical in color but the palladium is not as heavy and not as expensive; for a man’s ring, this helps immensely in keeping the cost from getting ridiculous). Animated gifs of all sides of the rings are here: Karen’s ring and Jon’s ring.

It was the first time I’ve worked the two metals side-by-side and it was interesting to compare how they felt and finished up. Though platinum is a harder and denser metal, I would say that they were equally difficult to finish; palladium is more “sticky” perhaps, and platinum more “dry” feeling. From what I have read, palladium has extremely similar wear characteristics as platinum, which makes it pretty much the perfect white jewelry metal (aside from the hard-to-finish aspect). Both took about a million years to file, sand, sand finer, polish, polish finer, etc. I know Karen has a soft spot for heavy metal so I surfed through my mp3 player for some inspirational music to help pass the time whilst sand-sand-sanding away.

[Ray Bradbury’s Martian Chronicles cover. I also like the Fahrenheit 451 cover; it’s not really spacey, but I liked the look and the abstract reflections in the helmet.]

More totally cool retro cover art from the former Soviet Union & eastern bloc countries here. And some German art here.

Chinese turquoise, diamond, sterling silver, and 18K gold. The silver has been patinaed a deep gray and then brushed bright silver on the outsides of the ring. The band is rounded on the inside and has an adorable little ginkgo leaf stamp that I had made a million years ago but haven’t used too much. I need to use it more because it is pretty cool.

Finally, I’ve finished the ring using this awesome turquoise. I think it looks like a Japanese lily pond, maybe photographed using an infrared filter. Anyway, I just love this piece and hope I’ve done it justice with the ring mounting.

The bottom is pierced with a floral pattern so you catch a glimpse of the lilypads on the bottom of the stone and the whole thing floats off the three-cornered band by a couple of millimeters.

A thought regarding the ring shot being worn. So far, I have been just taking a photo of my hand against the same linen backdrop I use for the rest of the shots. I was taking outdoor photos of necklaces the other day and took a few worn ring shots while I was at it and am liking the results. Any thoughts? Do you think the ring being worn taken against the body vs. against a backdrop is better?

Here’s what I mean:

Or the rose ring I finished recently..

I finally got my rose-cut black diamond set in my new ring. Setting a rose-cut stone was harder than I thought. I think I was thinking it would be like a faceted diamond, only easier—more like a cabachon. But no, it was all wobbly and kept flipping around and popping out of the bezel as I tried to set it. I got it in eventually, but it took some figuring out. I’m happy with the look. The black faceted diamond makes me think of Victorian jet. Cool!

This ring would look great with another band of just the tiny leaves.

(Edited to add:) ABOUT THE BLACK DIAMOND: Black diamonds are real diamonds that are mined out of the ground, etc. However, they are treated with radiation to make the color black, which is in fact a super dark green but so dark that it appears totally black. (If you shined a really intense light at the edge of the diamond where it is thinner, you could probably see that it is in fact green in color.) Diamonds do occur naturally with a black color but that color is because of numerous carbon inclusions, which make the stone mostly black and opaque (well, they are more like deep gray with flecks; they do not look perfectly jet black like this stone). Unfortunately, so many inclusions make the stone prone to fracture, and affects the stone’s surface quality (because inclusions usually reach the surface, creating blemishes and affecting the sparkle).

I think that usually, they start with a diamond that is included but not overly so that it would affect it structurally, and maybe it’s also kind of an ugly color–yellowish brown or greenish brown, say. So, they irradiate it and turn it this intense black. I’m not a purist when it comes to cool, so as long as such treatments are plainly disclosed I’m happy to use treated gems. They are usually way cheaper than their naturally occurring counterpart and look just as good (if not better).

It’s been forever since I got to play around in the studio and make cocktail rings! This one has been percolating for a while and since I’ve been working on another rosy ring for a customer, I slipped this one in too. I’m pretty happy with it; I’m especially liking the patina. I don’t even know what it is (I’m assuming it is liver of sulphur though); it has a very subtle french gray color. The back/bottom is deeper gray and the top is a bright brushed silver. Edges are burnished bright and shiny. I set a 1.6mm diamond in 18K gold in the center of one of my roses. The band is forged a little to mediate the clunky factor and give it some interest. I’m digging it!

My camera batteries ran out last night while I was trying to take photos of it for Etsy and this is only as far as I got. I should get the rest of the photos today and hopefully have it listed in the shop tomorrow. It fits size 7-8 easily (this ring is very generous with sizing because of the shape).