This giant luna moth neckpiece! It was delicate and large and I had to carve it, then break it up into five separate pieces for casting. Then assemble it at the end. It is set with a fantastic giant Ethiopian opal, with additional Australian opals in the wings. Stones are a gradient of sapphires and tsavorite garnets from bright green to yellow. 14K white gold.
It’s big!
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This Phoenix + Feather solitaire is set with a gorgeous peachy pink pyralspite 1.39ct garnet, custom cut by Geologic Spectrum. 18K gold.
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Mother’s pendant with roses & twisting vines. I liked the sort of ‘cartouche’ shape of this pendant. The birthstones are citrine & sapphires for the children, and a ruby & alexandrite for the parents (set into the base of the two vines, and seen only when you look at the bottom of the pendant). 18K gold.
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This wedding band was inspired by the Hokusai’s Great Wave woodcut. It’s 8mm wide and 18K white gold.
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This snake was specifically intended to be modeled after a bush viper, which has extremely prominent spiky, ‘fluffy’ scales (the cuddly guy!). A little tricky at this scale, especially when you intend the ring to be comfortable to wear, but I modified the idea a little and am super happy with how this ring turned out.
We also went with a strong patina on the white gold. It is more of a deep metallic gray color rather than strong black like the way sterling silver oxidizes, but I think it had a very nice effect and contrast against the rainbow flashes of the moonstone.
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This ring was designed around this gorgeous 1.5ct diamond. A handful of bright, dare I say, “jewel tone” stones were added around the diamond: a berry colored garnet, a tsavorite green garnet at the top & a Pariaba tourmaline at the bottom, and on the other side is a gorgeous yellow-orange spessartite garnet. The flower is sort of field-marsh inspired, but I didn’t base it particularly on any specific species, just went off and carved an idealized bloom spike. I imagine the flowers are yellow in my head. 18K.
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This is what one of my wax carvings looks like before it is cast (lost wax casting process) into gold. This one I made for a jazz singer in Berlin, and if that isn’t about the coolest profession ever, I don’t know what is.
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I so rarely do prong settings, but agreed to for this amazing 2-carat Old Mine cut diamond. I did a scalloped pointy 8-prong setting with a sakura blossom motif down the shoulders and sides of the band, little diamonds set in the centers of each bloom. At the base is carved a tiny daffodil bloom. 18K. This ring really turned out fantastically.
A ton more photos after the click:
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Gorgeous rainbowy iridescent half pearl from the Sea of Cortez set in a delicate 14K white gold leafy setting. I love this ring!
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I really love the look of the offset stone, if you hadn’t noticed. This time we have a gorgeous peachy-pink padparadscha sapphire flanked by California poppies. 14K rose gold.
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