Songbirds & Forget-me-nots! I tried to keep a lighter and lacy feel to a ring that was actually quite large and I think it worked out really nicely. Birds are fun to carve. 18K, diamonds & citrines.
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I made a sketch a while back that I knew I had to create, and then I spent much of last year’s Tucson Gem Show on the hunt for thee perfect stone for it. I think I found it in this fantastic bluish green elongated tourmaline.
5.79ct tourmaline, and .12ct diamond. 18K yellow gold.
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This is a custom Oak Leaves & Acorns band I carved with just a little larger of a scale than I normally do. The ring is 9mm wide, and the larger format gave me a lot of room for detail. This was cast into 19K rose gold.
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It’s about time I made a spider ring! And happily, it was the perfect piece to use this wonderful cabochon emerald I got at last year’s gem shows. This guy is 18K yellow gold, and also has a bezel-set Australian opal. Looks like a glowing water droplet.
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We had First Cicada, yes, but what about Second Cicada?
This version was inspired by the spread-wing cicada and amazingly, my client had extremely similarly shaped stones. The pink and raspberry colored stones are tourmalines, and the rest are diamonds she also had lying around, as one does. 18K yellow gold.
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Pair of wedding bands with a primary Tanoak motif, plus additions of chanterelle mushrooms on the wider band, California poppies on the narrower band. Both in 14K palladium white gold. Many more photos below:
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THIS INSANE OPAL RING!!!! This was an intense ring to carve and set and oh so very worth it!! 18K + Australian opals and diamonds. Please click through for more photos of different angles…
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Hokusai’s Wave-inspired solitaire, set with a wonderful sea-green Tourmaline. I gave the ring a satin/brushed finish for the most part, but with some brighter bits at the wave crest, etc.
Colored stones are often cut with deep bulbous pavilions, and while I prefer the tidy look of a bezel setting, sometimes I hate to enclose so much of the stone. However, carving a little opening in the side of the setting creates a little window to view the pavilion, and also lets additional light enter the stone for a brighter overall effect up top.
I continued the carved design around the gallery view and side window: one side has the lower wave/water, and this side I carved some clouds scudding across the sky.
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What better muse for a fantastic jeweled insect than a giant beautiful weird cicada? They have incredible wing structure and a slightly robotic look about them. A perfect candidate to recreate in 18K gold and multi-colored sapphires.
It is no fun to leave the backside plain. The chain used for this pendant was an antique watch chain; we did end up swapping out the circular spring-clasp for another swivel clasp to match the other side.
Many more photos after the click:
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