
This sweet little ouroboros ring was designed around a lovely antique champagne diamond that had a lot of character and sentimental value. 14K rose gold.
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This sweet little ouroboros ring was designed around a lovely antique champagne diamond that had a lot of character and sentimental value. 14K rose gold.
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An Oak leaves & Acorns design for this giant hunk of moonstone. I love how this ring turned out! 18K with a pair of diamonds at the sides of the bezel.


This is a new, larger iteration of a design I did a while back, but with a larger stone. The diamond here measures 1.65ct (~7.3mm) and I scaled up the snake to fit. I love this ring!


Songbirds & Forget-me-nots! I tried to keep a lighter and lacy feel to a ring that was actually quite large and I think it worked out really nicely. Birds are fun to carve. 18K, diamonds & citrines.
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This is a custom Oak Leaves & Acorns band I carved with just a little larger of a scale than I normally do. The ring is 9mm wide, and the larger format gave me a lot of room for detail. This was cast into 19K rose gold.
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It’s about time I made a spider ring! And happily, it was the perfect piece to use this wonderful cabochon emerald I got at last year’s gem shows. This guy is 18K yellow gold, and also has a bezel-set Australian opal. Looks like a glowing water droplet.
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Pair of wedding bands with a primary Tanoak motif, plus additions of chanterelle mushrooms on the wider band, California poppies on the narrower band. Both in 14K palladium white gold. Many more photos below:
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THIS INSANE OPAL RING!!!! This was an intense ring to carve and set and oh so very worth it!! 18K + Australian opals and diamonds. Please click through for more photos of different angles…
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Hokusai’s Wave-inspired solitaire, set with a wonderful sea-green Tourmaline. I gave the ring a satin/brushed finish for the most part, but with some brighter bits at the wave crest, etc.

Colored stones are often cut with deep bulbous pavilions, and while I prefer the tidy look of a bezel setting, sometimes I hate to enclose so much of the stone. However, carving a little opening in the side of the setting creates a little window to view the pavilion, and also lets additional light enter the stone for a brighter overall effect up top.
I continued the carved design around the gallery view and side window: one side has the lower wave/water, and this side I carved some clouds scudding across the sky.
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My original version of this ring was carved for a stone around 2.5mm in size, but in the past few years, I’ve altered it to fit a stone that was closer to 4mm.. So, I decided to carve a new ‘master’ wax that was specifically designed around a 1/4ct / 4mm stone and here is the first piece made from that new mold.

19K rose gold with a vivid peacock blue diamond (the diamond has been heated and/or irradiated to create and intensify the color. It was likely a brownish color originally). More pics after the click:
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